Abhinavagupta’s interpretation of the Music in Nātyaśāstra | https://www.dropbox.com/s/fps9onht5arq4al/NR-Artcl-086.zip?dl=0 |
Acoustical Observations in the Musical Treatises of the Samskrita Tradition | https://www.dropbox.com/s/xl4wig54svm70vv/NR-Artcl-072.zip?dl=0 |
Adi-tāla: A Historical study of its Structure | https://www.dropbox.com/s/5ljhpjqy32x56gf/NR-Artcl-040.zip?dl=0 |
Area and Scope of Research in Music | https://www.dropbox.com/s/2zdhnl6q8g6ug59/NR-Artcl-009.pdf?dl=0 |
Brhaddēśī of Matanga: A Historical Perspective | https://www.dropbox.com/s/r481r8edan8kx2i/NR-Artcl-055.zip?dl=0 |
Brhaddēśī of Matanga: A Note | https://www.dropbox.com/s/ria12wne3ipw0dx/NR-Artcl-069.zip?dl=0 |
Caturdanīprakāśikā of Vēṅkatamakhī – A Note | https://www.dropbox.com/s/eorndz54e32svcg/NR-Artcl-073.zip?dl=0 |
Changing Concept of Tāla in Hindustāni Music | https://www.dropbox.com/s/44s9trwa89kgnmv/NR-Artcl-062.zip?dl=0 |
Cilappadikāram and its Commentaries: A Study of Selected Technical Terms in Music | https://www.dropbox.com/s/xdk5zo0zffax3lf/NR-Artcl-053.zip?dl=0 |
Cilappadikāramum adan Uraigaḷum: Cila Kalaiccorkaḷ | https://www.dropbox.com/s/tcd0bjhgb6eavx9/NR-Artcl-052.zip?dl=0 |
Commentaries in Samskrta Textual Tradition in Music | https://www.dropbox.com/s/ba735femf79fy0i/NR-Artcl-023.zip?dl=0 |
Concept of Art / Classical Music | https://www.dropbox.com/s/bmtjc6ao8pz04vp/NR-Artcl-046.zip?dl=0 |
Conservatory System – In the West and in India | https://www.dropbox.com/s/i09eb0p3ellk1dg/NR-Artcl-058.zip?dl=0 |
D Pasupathi – Sruti 2019jun | https://www.dropbox.com/s/dorpi4s8fu96kkt/NR-Artcl-012.pdf?dl=0 |
Dēśī Rāga-s in Saṅgītaratnākara – Lakshya-laksana-virōdha in Vādanakrama | https://www.dropbox.com/s/qg2vt86s8b1yfu8/NR-Artcl-028.zip?dl=0 |
Emendations to Nātyaśātra and Abhinavabhāratī Commentary, GOS vol-4, 1964 edition | https://www.dropbox.com/s/yd4fd9852yrteam/NR-Artcl-057.pdf?dl=0 |
Etymological and Technical Definitions of Musical Terms | https://www.dropbox.com/s/1vtuabq24sm4g6n/NR-Artcl-024.zip?dl=0 |
| https://www.dropbox.com/s/h7vujxfhht5uziw/NR-Artcl-042.zip?dl=0 |
G.N.Bālasubrahmaṇiam and Intellectual Approach in Karnātaka Music | https://www.dropbox.com/s/fcdhzg1iwjl0q8t/NR-Artcl-044.zip?dl=0 |
Globalisation and Indian Music: Textual and Historical Research | https://www.dropbox.com/s/ttpo9cic1h4p1kv/NR-Artcl-029.zip?dl=0 |
Harold S Powers and India | https://www.dropbox.com/s/kb6wo5zkwnjlftn/NR-Artcl-036.zip?dl=0 |
Improvisation / Manōdharma in South Indian Music | https://www.dropbox.com/s/kb6wo5zkwnjlftn/NR-Artcl-036.zip?dl=0 |
Indian Heptatonic Scales and Diatonic Theory | https://www.dropbox.com/s/709r9q8i8beza41/NR-Artcl-014.pdf?dl=0 |
Indian Musicology in the Early Modern Period: A Survey of the Pre-1940 Publications | https://www.dropbox.com/s/mf3wu7u8z2fa6pk/NR-Artcl-071.zip?dl=0 |
Influence of Śāstra on Prayōga in the Post-Sangitaratnākara Svara System | https://www.dropbox.com/s/rfm463r7sc8woom/NR-Artcl-013.zip?dl=0 |
Institutional Music Education Southern Area | https://www.dropbox.com/s/yqt25oj92voto0j/NR-Artcl-022.pdf?dl=0 |
Interpreting the ‘Graham’ part of the Svara passages in the Kīrtana-s of Muttusvāmi Dīkṣitar | https://www.dropbox.com/s/xmxf5aydc9735ng/NR-Artcl-074.zip?dl=0 |
Kalā, Mātrā, Laya and Mārga | https://www.dropbox.com/s/tqkhkn43ssj7zy1/NR-Artcl-003.zip?dl=0 |
Karnataka Music and University Education | https://www.dropbox.com/s/ugm5mr84n2femvq/NR-Artcl-041.zip?dl=0 |
Karnataka Music: Compositions Composers | https://www.dropbox.com/s/4zsrpn4sxnh258y/NR-Artcl-010.pdf?dl=0 |
Karnataka and Hindustani Music Systems | https://www.dropbox.com/s/64v40lwumnnyfmg/NR-Artcl-033.zip?dl=0 |
Lakshya and Lakshana in Music | https://www.dropbox.com/s/k33sbji8t6pi56k/NR-Artcl-061.zip?dl=0 |
Lalgudi Jayaraman: Performer and Composer | https://www.dropbox.com/scl/fi/ekmvanvlvbrvo7fah9140/NR-Artcl-011.zip?rlkey=q0dmgc8cvo2mapcflhvdv3bl9&dl=0 |
Lalgudi Jayaraman’s Music: Guided Listening Sessions –1 & 2 | https://www.dropbox.com/s/tj48y1fpii3l6nl/NR-Artcl-075.zip?dl=0 |
M Balamuralikrishna – Observations on his Music | https://www.dropbox.com/s/6mx40lp4w8tjxia/NR-Artcl-048.zip?dl=0 |
| https://www.dropbox.com/s/7kxv1h45ehpb36m/NR-Artcl-050.zip?dl=0 |
| https://www.dropbox.com/s/zmeumwynk8smv68/NR-Artcl-049.zip?dl=0 |
Metre and Prosody in the Music of Mārga Tradition | https://www.dropbox.com/s/q9oqh649qrkg0xq/NR-Artcl-076.zip?dl=0 |
Music Texts / Lakshanagrantha: Śāstra and Śāstra-sampradāya | https://www.dropbox.com/s/eik51xwnkkl0lo4/NR-Artcl-060.zip?dl=0 |
Music in the films of M K Tyāgarāja Bhāgavatar: Some Observations | https://www.dropbox.com/s/geza57vn9hmnvdv/NR-Artcl-095.zip?dl=0 |
Musical Forms of Gāndharva | https://www.dropbox.com/s/8wbuof4irgbgvzt/Hema-Artcl-001.zip?dl=0 |
Musical Forms of Karnataka Music: A Historical Perspective | https://www.dropbox.com/scl/fi/v6m37fx727qecqdatii33/NR-Artcl-101.docx?rlkey=2yb7wuvjpvfa7yd3vhu6wcsws&dl=0 |
| https://www.dropbox.com/s/sq2bqsttp2wpqgm/NR-Artcl-015.pdf?dl=0 |
Mālavikā’s Dance in the Mālavikāgnimitram of Kālidāsa | https://www.dropbox.com/s/skpm7bflm3vljdi/NR-Artcl-030.zip?dl=0 |
Nātyaśāstra of Bharata: A Note | https://www.dropbox.com/s/zr09goyavlru6e6/NR-Artcl-068.zip?dl=0 |
Perception of Tāla in Karnataka Music | https://www.dropbox.com/s/bkkbsirkxvjwpsm/NR-Artcl-088.zip?dl=0 |
Pre-Karnātaka South Indian Art music and other Musical Systems of India | https://www.dropbox.com/s/73bbahym825jrpf/NR-Artcl-081.zip?dl=0 |
Premlata Sharma: A Great Scholar and Activist | https://www.dropbox.com/s/76l0zx9a170mnvs/NR-Artcl-025.zip?dl=0 |
Problems in the Editing of the Kīrtana-s of Muddusvāmi Dīkṣitar | https://www.dropbox.com/s/tntjgnjd79n33ou/NR-Artcl-018.zip?dl=0 |
Professor Sāmbamūrti and his Writings | https://www.dropbox.com/s/7rajd8i16486kkc/NR-Artcl-035.zip?dl=0 |
R. Sathyanarayana: The Sarvajña Ṛṣi | https://www.dropbox.com/s/aqv6mdu0wila1lu/NR-Artcl-084.zip?dl=0 |
Research and Teaching in Music: Expectations from Computer Technology | https://www.dropbox.com/s/30dzq1ypb175x2o/NR-Artcl-079.zip?dl=0 |
Rāga-s Rudrapriyā, Karnātaka-kāpi, Darbār and Kānaḍā : A Comparative Analysis | https://www.dropbox.com/s/0wbrt7oln0q1amp/NR-Artcl-043.zip?dl=0 |
Sadrāgacandrōdaya of Paṇḍarīka Viṭṭhala | https://www.dropbox.com/s/6bu7ebzk5g77tun/NR-Artcl-078.zip?dl=0 |
Sargam and Musical Conception in the Karnātaka System | https://www.dropbox.com/s/ckofiele9t8qj7c/NR-Artcl-080.zip?dl=0 |
| https://www.dropbox.com/s/jtuui3lfsk795f4/NR-Artcl-093.zip?dl=0 |
Saṅgīta in Saṅgītaratnākara and Karnātaka-saṅgīta | https://www.dropbox.com/s/5gia1kaylw52m3w/NR-Artcl-066.zip?dl=0 |
Saṅgītadarpaṇa of Catura Dāmōdara: An Introduction | https://www.dropbox.com/s/m05o518h3mn4oft/NR-Artcl-085.zip?dl=0 |
Saṅgītapārijāta of Ahōbala: An Introduction | https://www.dropbox.com/s/b8wpq5bucl9c1v0/NR-Artcl-047.zip?dl=0 |
Saṅgītaratnākara of Śārangadēva – A Note | https://www.dropbox.com/s/61mnmpk83h4qdlk/NR-Artcl-070.zip?dl=0 |
Saṅgītaratnākara of Śārangadēva: An Introduction | https://www.dropbox.com/s/ocs21kl3fdrtzgf/NR-Artcl-065.zip?dl=0 |
Svaramēlakalānidhi of Rāmāmātya: A Note | https://www.dropbox.com/s/yrnr4bbsy0kwnxo/NR-Artcl-083.zip?dl=0 |
Sādhiñcenē: The Problem of Ettugaḍa | https://www.dropbox.com/s/ms94b1z4j5qkvly/NR-Artcl-089.zip?dl=0 |
| https://www.dropbox.com/s/m53i9es0y0imtl0/NR-Artcl-051.zip?dl=0 |
Technology Based Distance Education Method in Music | https://www.dropbox.com/s/mv7171ah5uvqhrq/NR-Artcl-027.zip?dl=0 |
Textual Studies and Musical Forms
| https://www.dropbox.com/s/els00ur1oyrim5i/NR-Artcl-031.zip?dl=0 |
The Akshara-Mātrā Terminological Problem in Tāla | https://www.dropbox.com/s/9xxzpp3vd3dl6uj/NR-Artcl-094.zip?dl=0 |
| https://www.dropbox.com/s/30jya6s38aska07/NR-Artcl-005.zip?dl=0 |
| https://www.dropbox.com/s/nl2e5ewom6gf2ri/NR-Artcl-090.zip?dl=0 |
| https://www.dropbox.com/s/o64z01bzqb6lcyt/NR-Artcl-004.zip?dl=0 |
The Concept of Śruti-jāti | https://www.dropbox.com/s/mcww5ez3fmw93rs/NR-Artcl-002.zip?dl=0 |
The Date of Saṅgītamakaranda of Nārada | https://www.dropbox.com/s/ihtb9p2tb3op3l2/NR-Artcl-067.zip?dl=0 |
The Influence of Theory on the Practice of Music | https://www.dropbox.com/s/vob99q751xpbvmk/NR-Artcl-032.zip?dl=0 |
The Problem of Dēśī in Brhaddēśī | https://www.dropbox.com/s/kjrw2je4s2s477g/NR-Artcl-054.zip?dl=0 |
The Prose and Verse Portions of Brhaddēśī: Their Mutual Relationship | https://www.dropbox.com/s/mardlbaodbls6mu/NR-Artcl-026.pdf?dl=0 |
The Role of Research in Music Education | https://www.dropbox.com/s/kall1ho25tn5s08/NR-Artcl-077.zip?dl=0 |
| https://www.dropbox.com/scl/fi/ty3k9fu5fsqezkr0orju1/NR-Artcl-092.zip?rlkey=b727bedkw7umqr8dvw7d8uji6&dl=0 |
The Text of Saṅgītaratnākara | https://www.dropbox.com/s/07xg35bhgzgq05h/NR-Artcl-019.zip?dl=0 |
The Treatment of Tāla in Saṅgītaratnākara vis-a-vis Nāṭyaśāstra and Dattilam | https://www.dropbox.com/s/aw12u4te5y0y02v/NR-Artcl-020.pdf?dl=0 |
Trikālam in Ancient Texts and in Modern Practice | https://www.dropbox.com/s/mf3saxcowwj4qh8/NR-Artcl-097.zip?dl=0 |
Tāla and Gati / Melodic Metre in Karnataka Music | https://www.dropbox.com/s/aune1v9frk2trdp/NR-Artcl-096.zip?dl=0 |
| https://www.dropbox.com/s/0zkn1scf20z9u7q/NR-Artcl-034.zip?dl=0 |
Tāla-Daśa-Prāna and the Musicological problems in present day Tāla system | https://www.dropbox.com/s/daybbvp1hcf8pit/NR-Artcl-039.zip?dl=0 |
Tāla-s in Hindustani Music | https://www.dropbox.com/scl/fi/0rjrpvizt1lnbj6lqijmr/NR-Artcl-063.docx?rlkey=2plu3vwhwe2lcl86e577ghzgq&dl=0 |
Tāla: A Conceptual and Structural Analysis | https://www.dropbox.com/s/lh5ck8ct7nw554k/NR-Artcl-008.zip?dl=0 |
Tāna-varṇam: Less Studied Aspects | https://www.dropbox.com/s/ppbwhmsysbh65yd/NR-Artcl-064.zip?dl=0 |
Understanding Modern Tāla-s in the Background of the Ancient System of Tāla | https://www.dropbox.com/s/whg5qz07c1d43h9/NR-Artcl-007.zip?dl=0 |
Various Types of Pūrvaraṅga | https://www.dropbox.com/s/zr3n6j7619ekx8d/NR-Artcl-021.zip?dl=0 |
Violinists in Karunarmirtha Sagaram | https://www.dropbox.com/scl/fi/3twwze6uko5gnbbzwjsx0/NR-Artcl-016.zip?rlkey=yqo5mrw0k1y9nam9qcg70il8a&dl=0 |
Viśākhila’s work on Music – An Attempt at Reconstruction | https://www.dropbox.com/s/nuuzmxvt3hydbar/NR-Artcl-037.zip?dl=0 |
Vādī, Samvādī, Vivādī and Anuvādī Svara-s | https://www.dropbox.com/s/g8nmxrg5kezu53k/NR-Artcl-006.zip?dl=0 |
Vīṇā Balachander: AIR Interview 13-03-1990: Audio | https://www.dropbox.com/s/re5ou8lnj09h1jv/NR-Artcl-059.mp3?dl=0 |
Śrī Krsnalīlā Tangini: Index of Items | https://www.dropbox.com/scl/fi/gmf8lxewu8otg6hrpak52/NR-Artcl-082.xlsx?rlkey=3unil7h7wztg3qty4q3z9def0&dl=0 |
Śyāma Śāstrī and Svarajati | https://www.dropbox.com/s/k8nlhp2mlwmi538/NR-Artcl-045.zip?dl=0 |
Śāstra as the Meeting Point of various Prayōga Sampradāya-s | https://www.dropbox.com/scl/fi/t2f6wle2s6xvx8bcascm2/NR-Artcl-017.docx?rlkey=8hisljnfhn8mz014q4xvtk0jw&dl=0 |